" Circle Crescent Mostaganem: Frank and open"
In "El-Mujahid", national daily of 30-10 - 1972.
"Mostaganem Finally! For the first time, Mostaganem! A strange silence of a city that passes for a home Andalusian! The comments did not fail before the curtain rose on the Circle''Crescent''which opened the debate this Friday night. Indeed, it explains poorly the long eclipse of the Andalusian scene Mostaganem. Probably a shot of Allaouites!
The Mostaganémois s'annoncèrent quietly, with this campaign was always good for the artists the way Maya shindig. Despite its location, Mostaganem is the exact replica of the school Algiers. The fourteen elements that make up the training are well distributed.
Touchia The Mayan is respectful of a technique that has proven itself. The game is expressive, the intervals are respected, well charged occasions. Finally, the acceleration is advertised, marked by a stop.
Green light for mecedder so homogeneous a set time like a watch. The choir is not worked by centrifugal forces. All hands, all voices tend toward the edges of the Andalusian basin. The song is frank, open.
Solo violin: Old and sensitivity. Istikhbar Voice: modulations heavily influenced by technology, very uninspired. The derdj is quickly reached. At this level, the choir plays daring. All climbs range Andalusian down with ease but with caution that reminds them too much advice from the master. However these increases are followed by falls intelligently highlighted by the orchestra. The picks (the Richat to pluck the strings) are then heard. Is it awkward or technical rhythms?
The whole is more verve in insiraf. It is even too open, too audible. A melodic line mid-range would in my view, preferable. But we play like we want, as can too. The transition to the Khlass is excellent. The assembly is then very inspired. How to conclude the sentence is on high marks for boldness.
Front row Left to right:
Benbrahim Charef, KHELIFA aek, Mustapha Benmansour (Houari said Chalabi) Benkrizi Moulay , Benghal Mansour Benhaoua AEK Benbernou yahia
Second row from left to right:
Boukhedia Aissa, Mohamed Tahar, Benatia Nordine, Benkrizi Fodil, Benbernou Mohamed Benyahia Hamia
The Mostaganémois also do not hesitate to begin an Andalusian to the sharp edges of the keyboard. Keep such language to a first participation in a festival, flawless ... Mostaganem, we believe, has not yet said. The singer also Moulay Benkrizi. "
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