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FIRST PART - CREATION OF "IBN BADJI "- 1992 - 1995

1993 - 1996: Birth of an Orchestra

PARIS 1993 - AUBERVILLIERS

to spoil Dte: Dr. Benkrizi Fodil-BERBER OULD MOUSSA Omar Nadia Faisal Benkrizi

HAMAIDIA Mohamed - Benbernou Yahia - Slaman Nassredine

The beginning dates back to 1992, when the Master Hajj Moulay Benkrizi left the association NADI EL HILLEL. Many of his disciples followed him, in this case his two son, Fodil and Faisal.

Dr. Sidi Mohamed Benkrizi Fodil, eldest son of the master Benkrizi Moulay Ahmed, professor since 1973, Secretary-General in 1984 and in 1991 President of the association "NADI EL HILLEL ETTAKAFI", launched the idea of create a musical he calls "IBNOU BADJI" or "Avempace.

Since that date, with his younger brother Faisal Mustapha Mohamed of HAMAIDIA, Fire BERBER Omar Nassredine Slaman, Nadia Yahia and Benbernou OULD MOUSSA, they begin rehearsals with ardor.

These rehearsals were at home Benkrizi most of the time, and each musician brought his own instrument.

HAMAIDIA MOHAMED

HAMAIDIA Mohamed is what we call today ' Today a San'yii true. Moulay Ahmed Hadj student of Benkrizi since 1977 and founder of the association Wifak EL, then director in artistic investigation FEN WA nachat IN 1989, the great musician devoted himself entirely to the study of music. Professor of Mathematics, in Mostaganem pioneer in theoretical studies in music and solfege, it will become very quickly the right arm of the great Maazouz Bouadjadj. He plays all the instruments of music, kanun, violin, viola, mandolin ..... After many years of experience, he will always say "I am against the associative movement in music." It will make the first steps with the formation BADJI NBI in 1993. It was largely on his initiative Faisal that record her first CD in 1995. HAMAIDIA Mohamed remains in Mostaganem the person most enigmatic in the music field. After having attended almost all associations, orchestras chaabi, as musician and conductor, he has always managed to stay behind the events. He admitted to recognition flawless in his first hajj Moulay Benkrizi master, but paradoxically, he will not attend the tribute that was dedicated to the master in March 2008. Do not forget that it HAMAIDIA who once had presented the young child nadia OULD MOUSSA to Benkrizi Fodil, and it will be following his departure at that Faisal will Kanoun.

Trio Choc 1980s: HAMAIDIA Mohmaed - Benkrizi Fodil - BERBER Omar

BERBER & Benkrizi Sidi Mohamed Omar Fodil

& Treasurer General ; amp; The Secretary-General

BERBER Omar, very simple person, kind, on the verge of shyness, began learning the Andalusian music in 1974, through Benghal Mansour . It quickly became one of the closest students of the master Moulay Benkrizi. Very talented musician, he had not forged chaabi too like the other musicians Mostaganémois. In 3 months of learning, it interprets the festival Tlemcen in 1974 a mcedder Hssine RAKIBOUKA EL MOUZNI. Omar, Allah will rrahmou, Ausi played all musical instruments, but excelled in the practice of Luth. Andalusian music but also Taquacims interpreted to perfection came out of his lute. He has assisted in teaching our sheikh of Andalusian music. Many disciples have fallen through the hand of Omar. Just a ancedote: fire omar launch in 1990 the call to Fajr (Fedjr) in Italy, a country in the name of Brescia at the request of our Italian friends. Indeed, their promise was made by the Italian government to build a cultural center and home of the artist in this place. Omar died in 2003 after a long and painful illness. Sleep in peace Khouya Omar, you are in our hearts to everyone.

Benbernou Yahia - Born in 1956

Benbernou Yahia, Dental surgeon, began his apprenticeship in May 1969 to Andalusian music from the master Benkrizi. Son of the great dental, If Omar Tigditt very known, and great music in classical music. Yahia will be the first young percussionist in tar, and took part in the 3rd Festival of classical music of Algiers in 1972. At the age of 18, 18 June 1974, he accompanied the master Hadj Mohamed Khaznadji the tar at a party alongside Benkrizi Moulay and Houari CHALABI, until 6:00 am. It will continue to frequent during the Hajj Moulay master until 1992 when he was forced to retire at the circumstances that we know. The young percussionist Benbernou was assigned to BENDAMECHE Abdelakder and other singers "chaabi". Since the creation of NBI BADJI In 1993, he remained faithful to Benkrizi. He occupies a seat on the steering committee now, and ready to know whenever needed during major events for contests. We see here, Dr. Yahia Benbernou, wearing traditional, at the International Festival of Andalusian music in December 2009. At this festival IBN BADJI had the privilege of walking away with a second prize .... Forgiveness, a first prize usurped, as announced by Rachid GUERBE early show. Yahia thank you, your courage and your honesty will remain engraved in the history of Mostaganem.

Slaman Nassredine

Slamani Nassredine Mouazni was the only one to have attended longer courses master Moulay Benkrizi Hajj. From 1982 until 1992 and then remain faithful to his masters. It is commonly known here in Mostaganem, by his friends, "Metronome . Very right, he had the rare qualities still worthy of a true artist. Later, with Faisal Benkrizi he hone his rhythm method through numerous meetings with Faisal is the home of the latter is in the festivities and celebrations hosted by our nightingale. It goes
repeatedly master Hadj Mohamed Khaznadji then Beihdja Rahal in 2008 during the tribute to our dedicated teacher.


AUBERVILLIERS - PARIS - November 2003

During this period of 1993, the brothers Guenaou, and Sid Ahmed Hamidou (we know by following through the television Djil MUSIC and others with Beyoun) s'interressent training Ibn Badja. Several repetitions were made at home Guenaou with audio recordings that Sid Ahmed broadcast through the FM station BEUR Paris, where he was leader. These broadcasts performed by Faisal Nadia and eventually burst the ratings of Radio Beur FM. Thus, the brothers Guenaou, established in France proposed an evening AUBERVILLIERS animated entirely by IBN Badji. A beautiful evening indeed when one notices the presence of SAFI BOUTELLA and my friend Beihdja Rahal.

1993 This year will be a preparatory year, and the return of France, a larger project was in preparation. The idea was that great ressussiter festival, invented in 1980 by Dr. Benkrizi , on behalf of UNESCO and unfortunately scuttled by his entourage (See Memoirs Moulay Hajj). The contacts were underway, and always with the support of brothers Guenaou, spring will be spent in Andalusia this year 1994. The idea was to consolidate on a single platform: Hadj Mohamed Tahar Fergani and training IBN Badji. Part Malouf, and a second with soloists from the school Sanaa: CHAOUL Nassredine - HAMIDOU - Faisal Benkrizi and in the absence of Nadia, my friend Beihdja Rahal. Thus the idea made his path and varied program prepared for the success of this grand evening. Having been invited by the Algerian Cultural Center in Paris, the evening of Friday, April 15 will be devoted.

CCA In Paris - Friday, April 15, 1994 -

From left to right: Benbernou YAHIA (tar) - Benkrizi Fodil (viola) - Beihdja Rahal (Kouitra ) - Faisal Benkrizi (4 / 4) - Omar BERBER (lute) - Algiers (Derbouka)

The orchestra will accompany IBN BADJI Beihdja Rahal and Benkrizi Faisal, a shindig Ghrib duo, and a r'haoui of Aruba. Just an anecdote I must relate here. The evening was scheduled at 20 hours. In the absence of Mouazni, who was lost in traffic and the maze of Parisian subway, a great personality of the music came to us offering his services to replace our failed musician.

It's just time to get on stage, as we shall see the unlucky confused. Personality who had offered his service was other than the great Rachid GUERBE . It may be here after 17 years, all our gratitude.

The next day, about 19 hours, we left the subway and go towards the UNESCO headquarters in Paris. A river worldly walked parallel at us towards the same direction. A veritable human tide to the theater. For purely personal reasons, Nadia OULD MOUSSA did not make the trip with us. We had a talent for cons of size, in the person of Beihdja Rahal. Beihdja, since I knew long time since she was FAKHARDJIA was very sociable. I learned to know in Paris, when I sécouvert its high professionalism and ethical values and ethics. She believed in what she did. No delay, always smiling, pleasant, she asked council also gave its opinion without imposing them. A true artist.

The evening began with the Malouf. Hadj Mohamed Tahar Fergani, accompanied by his son shook the hall arch height. We were all ecstatic. Then came our turn, and with Faisal Ibn BADJI Beihdja. A Nuba Ghrib interprets as a duo. Faisal expressed its full shape and strength juvenile Beihdja replied like a goddess and it was quickly the euphoria in the room . ; ; Great Hall 1994 UNESCO PARIS

Of dinghies were coming from everywhere, apllaudissements bursts. Our heads turned when he saw that success. At the end of the shindig, Hamidou Guenaou, my beautiful brother, had the idea to climb on stage Pippin the Oran . She was among the audience. It was the first time I saw it. She arrived on scene and spoke a few words at the microphone. A standing ovation, as a shot from the blue thunder, the whole room was leaking. How beautiful she was, in her beautiful evening gown. I heard nothing, my ears were whistling, Oh Lord God. I saw the smile of Feisal, of Omar, Yahya, Beihdja. All looked at me and seemed to thank me look.

UNESCO PARIS selected Classical Music and

Back in Algeria, we set to prepare the first CD BADJA.C NBI is largely thanks to my friend Mohamed HAMAIDIA that the project finally saw the day. He accompanied Faisal to the only recording studio that had Mostaganem at the time: He Fouad Brahim, St. Charles. It was the beginning of the recording. In a tiny cut, suitable for recording the RAI and chansonettes two or three musicians, we débutâmes work. The first witness, then the Mizan. In this month of August 2005, heat is suffocating. Our clothes were damp with sweat but we were moving fast. Despite the inconvenience, a good atmosphere prevailed child. A few days later, the Master was finally ready. Sid Ahmed Guenaou took him to France for the arrangements, mixing, cover ... Finally the first audio CD of Andalusian music was made in Mostaganem, by Mostaganémois.

This first CD produced by Mediaset on Alsur was Mostaganem registered in 1995 by a group of musicians. These musicians formed a band they called IBN BADJI or Avempace. It is composed of:

• Mr Faisal Benkrizi , soloist, pupil of Moulay Benkrizi Hajj and Hajj Mohamed master Khaznadji (Kanoun-Alto-Piano)
• Mr Mohamed HAMAIDIA , pupil of Hajj Moulay Benkrizi (Bonjo Alto)
• Mr Omar BERBER said Biber, who died in 2003, pupil of Hajj Moulay Benkrizi (Lute)
• Dr. Yahia Benbernou , pupil of Hajj Moulay Benkrizi (Tar)
• Mr Slaman Nassredine , pupil of Hajj Moulay Benkrizi (Derbouka)
• Mr ADDA Rezig Kamel, a student of Hajj Moulay Benkrizi (Cello)
• Miss Medjebeur Maria, a student of Hajj Moulay Benkrizi (Kouitra)

The orchestra is under the direction of Dr. Benkrizi Sidi Mohamed Fodil , pupil of Hajj Moulay Benkrizi

This CD should close the first part of the life of IBN Badji. Since that date in 1995, IBN BADJI somnorelera dormant until 1998, when a small group of Mostaganémois decided to get back into this wonderful adventure. I speak of adventure as it is a come we will see later in a chapter will be devoted to another phase of life IBN Badji.